Model: Mirte Maas
Showing posts with label Calvin Klein. Show all posts
Showing posts with label Calvin Klein. Show all posts
Calvin Klein Jeans S/S 2012 | Toni Garrn by Mert & Marcus Piggott
Model: Toni Garrn
Creative Director: Fabien Baron
Photo: Mert Alas & Marcus Piggott
Stylist: Karl Templer
Make-up: Mark Carrasquillo
Hair: Paul Hanlon
Calvin Klein Collection fall 2010 show
Calvin Klein Collection Fall 2010 Show
Time: February 18, 2010 at 3:00 pm & 4:00 pm
Location: 205 West 39th Street, Ground Floor
Designer: Francisco Costa
Stylist: Camilla Nickerson
Casting Director: Maida Gregori Boina & Rami Fernandez
Iselin Steiro
Kristy Kaurova
Time: February 18, 2010 at 3:00 pm & 4:00 pm
Location: 205 West 39th Street, Ground Floor
Designer: Francisco Costa
Stylist: Camilla Nickerson
Casting Director: Maida Gregori Boina & Rami Fernandez
Iselin Steiro
Kristy Kaurova
cK Calvin Klein spring 2010 campaign preview: Mirte Maas, ph: Craig McDean, stylist: Karl Templer
Craig McDean photographed Mirte Maas for the cK Calvin Klein Spring 2010 campaign on October 24, 2009 in Los Angeles with stylist Karl Templer and Art Director Fabien Baron .
cK Calvin Klein Spring 2010 campaign
Model: Mirte Maas
Photographer: Craig McDean
Stylist: Karl Templer
Art Director: Fabien Baron
cK Calvin Klein Spring 2010 campaign
Model: Mirte Maas
Photographer: Craig McDean
Stylist: Karl Templer
Art Director: Fabien Baron
Calvin Klein Collection Spring 2010 Show
Calvin Klein Collection Spring 2010 Show
Time: September 17,2009 at 4:00 pm & 5:00 pm
Location: 205 West 39th Street, Ground Floor
Designer: Francisco Costa
Stylist: Camilla Nickerson
Casting Director: Maida Gregori Boina & Rami Fernandez
Makeup: Pat McGrath
Hair: Guido Palau
Mirte Maas
Nimue Smit
Nimue Smit
Dorothea Barth Jorgensen
Dorothea Barth Jorgensen
Dorothea Barth Jorgensen
Mirte Maas
Mirte Maas
Mirte Maas
Mirte Maas
Nimue Smit
Nimue Smit
Dorothea Barth Jorgensen
Nimue Smit
Time: September 17,2009 at 4:00 pm & 5:00 pm
Location: 205 West 39th Street, Ground Floor
Designer: Francisco Costa
Stylist: Camilla Nickerson
Casting Director: Maida Gregori Boina & Rami Fernandez
Makeup: Pat McGrath
Hair: Guido Palau
Mirte Maas
Nimue Smit
Nimue Smit
Dorothea Barth Jorgensen
Dorothea Barth Jorgensen
Dorothea Barth Jorgensen
Mirte Maas
Mirte Maas
Mirte Maas
Mirte Maas
Nimue Smit
Nimue Smit
Dorothea Barth Jorgensen
Nimue Smit
Mr Ward, Photo Hugh Lippe
Hugh Lippe photographed Tony Ward for Contributing Editor on June 7, 2009 with stylist Vasoula Barbagiannis.
Contributing Editor Editorial
Model: Tony Ward
Photographer: Hugh Lippe
Stylist: Vasoula Barbagiannis
Contributing Editor Editorial
Model: Tony Ward
Photographer: Hugh Lippe
Stylist: Vasoula Barbagiannis
Calvin Klein Collection Resort 2010 show
Calvin Klein Collection Resort 2010 Show
Time: June 3rd, 2009
Location: 205 West 39th Street, Ground Floor
Creative Director: Francisco Costa
Stylist: Camilla Nickerson
Casting Director: Mark Foltz
Yulia Kharlapanova
Kasia Struss
Alexa Yudina
Yulia Kharlapanova
Time: June 3rd, 2009
Location: 205 West 39th Street, Ground Floor
Creative Director: Francisco Costa
Stylist: Camilla Nickerson
Casting Director: Mark Foltz
Yulia Kharlapanova
Kasia Struss
Alexa Yudina
Yulia Kharlapanova
Francisco Costa, Calvin Klein Collection designer & the WOMEN at Parsons Fashion Benefit 2009 Pre-Party
Francisco Costa, Women's Creative Director for Calvin Klein Collection, hosted a reception previewing the top fashion collections of Parsons graduates at the Calvin Klein Collection boutique last night.
Kasia Struss, Francisco Costa, Nimue Smit, Alana Zimmer and Cameron Russell:
Kasia Struss, Francisco Costa, Nimue Smit, Alana Zimmer and Cameron Russell:
Calvin Klein Collection Fall 2009
Calvin Klein Collection Fall 2009 Show
Time: February 19, at 4:00 pm & 5:00 pm
Location: 205 West 39th Street, Ground Floor
Designer: Francisco Costa
Stylist: Camilla Nickerson
Casting Director: Maida Gregori Boina & Rami Fernandez
Makeup: Pat McGrath
Hair: Guido Palau
Nimue Smit
Yulia Kharlapanova
Nimue Smit
Nimue Smit
Nimue Smit
Time: February 19, at 4:00 pm & 5:00 pm
Location: 205 West 39th Street, Ground Floor
Designer: Francisco Costa
Stylist: Camilla Nickerson
Casting Director: Maida Gregori Boina & Rami Fernandez
Makeup: Pat McGrath
Hair: Guido Palau
Nimue Smit
Yulia Kharlapanova
Kasia Struss
Nimue Smit
Nimue Smit
Nimue Smit
Calvin Klein Jeans Spring 2009 campaign: Naty Chabanenko, ph: Steven Meisel
Steven Meisel photographed Natasha Poly & Naty Chabanenko for the Calvin Klein Jeans spring 2009 campaign with stylist Karl Templer in Los Angeles on September 14, 15, 16
Calvin Klein Jeans spring 2009 campaign
Model: Natasha Poly, Naty Chabanenko
Photographer: Steven Meisel
Stylist: Karl Templer
Location: Los Angeles
Calvin Klein Jeans spring 2009 campaign: Natasha Poly, photo Steven Meisel
Steven Meisel photographed Natasha Poly & Naty Chabanenko for the Calvin Klein Jeans spring 2009 campaign with stylist Karl Templer in Los Angeles on September 14, 15, 16
Calvin Klein Jeans spring 2009 campaign
Model: Natasha Poly, Naty Chabanenko
Photographer: Steven Meisel
Stylist: Karl Templer
Location: Los Angeles
Calvin Klein spring 2009 campaign - Cameron Russell
Calvin Klein spring 2009 campaign
model: Cameron Russell
ph: Craig McDean
Stylist: Karl Templer
model: Cameron Russell
ph: Craig McDean
Stylist: Karl Templer
Calvin Klein Spring 2009
Toni Garrn
Jourdan Dunn
Katrin Thormann
Jourdan Dunn
Katrin Thormann
An Adventure in Detail and Perspective By CATHY HORYN
Next year the Calvin Klein company expects to generate $6 billion in retail sales, a small fraction of which — about $40 million — will come from sales of the runway collections designed by its star Francisco Costa.
Mr. Costa’s collection, based on cubic and prism forms, included coats and dresses in glossy white silks and wools that were creased or molded with a shape, as though the shape had been memorized by the garment.Very often the sleeves looked square, a shape repeated in the grid pattern of glistening silver tops and the cube heels of the silver and white patent leather shoes. Some of the dresses resembled floating pods.But the admirable thing about the collection was the level of research into the materials — including latex, wire mesh and new technical silks — and the quality of Mr. Costa’s presentation. Some of the silvery white shifts and sleek pants outfits are stunning.
Brooke
Hedi Slimane photographed Brooke Shields for the pre-fall issue of V Magazine.
V interviewed Brooke, and she discussed working with Richard Avedon, Francesco Scavullo, Polly Mellen and the secret to her longevity:
Michael Martin: You've modelled basically since infancy. What's your first memory of being in front of a camera?
Brooke Shields: I'm not sure if it's because the story has been told to me so many times, but I have semblances of memory from my first shoot. I remember the environment at Scavullo's studio. I was 11 months old, but I remember it was the first time I was in a room where I was part of the lights instead of with the people around them.
Brooke, photographed by Francesco Scavullo as a child.
MM: Working with the Scavullos, Avedons, Warhols of the world - how do you look back on that now?
BS: Only now do I look back on them as iconic. But when I remember my perspective at the time, these people were people I knew intimately, so I don't think I looked at them the same way I do now, artistically. To be on the cover of Interview was to spend time with people I saw every day. I had respect out of love, and now I have respect for their careers.
MM: What do you remember about Avedon at work?
BS: I remember the separation between on set and off set was like this iron curtain. Once you went in there you were in a sanctuary. And people just jumped. I'm sure his assistants got scared and people cried, but I thought it was funny. I remember that I managed to get away with getting the Polaroids. He thought nothing about giving them to me. Anyone else couldn't get them. I think, in hindsight, he respected my professionalism, and I remember wanting his approval so I worked harder.
MM: Why were you so professional so young?
BS: There was no room for me to have any tantrums. Everyone else was such a larger-than-life personality: The Polly Mellens of the world; the photographers were the stars. And my mom was sort of the crazy one. I was so young that I wanted to be accepted and liked. As a child, that worked for me. I'm sure that caused years and years of therapy later, but that's another story. Something about being born and bred in New York, where people have to be at the top of their game to succeed, instilled that professionalism in my by osmosis.
MM: You're the youngest person to be on the cover of Vogue. What did that do to your head at the time?
BS: Absolutely nothing, because I had no perspective on it. I still had to take off all the clothes, take off all the makeup, give it back, and go do my homework. It didn't behoove me to carry that title to school, because it wouldn't make kids want to be friends with me. Now I'm much more impressed with that title. Then I don't even think I knew it. The crowning glory for me was getting a Seventeen cover. The first cover try I did, I didn't get it. I was told I looked too old.
MM: When you were a kid, did you think you'd still be in the business now?
BS: I've never known anything but the business. it never occurred to me not to be in the business. It's sort as if I was never not naked.
MM: Were you aware of the controversy swirling around Pretty Baby and the Calvin Klein ads at the time you did them?
BS: If you separate the actual making of the movie with Louis Malle and the actual filming of the commercials with Dick and Calvin, those actual moments felt creatively important. But the reaction to them was always a shock. The reaction never seemed proportionate to what we set out to do. The controversy was frustrating because it took away from the beauty and the creativity of it, particularly Pretty Baby. I thought it was a shame.
MM: And then there were the Calvin Klein commercials.
BS: People were obsessed with that one line in one commercial. Which they misquoted - repeatedly. That was shocking to me. We were walking walking around the stages, feeling like we were doing something new that had never been done before. But it seemed that no matter what I did after that, controversy would follow.
Richard Avedon photographed Brooke for the July 1978 American Vogue (Farrah Fawcett was on the cover). At the time, Brooke was promoting Louis Malle's"Pretty Baby". She was 13 years old.
V interviewed Brooke, and she discussed working with Richard Avedon, Francesco Scavullo, Polly Mellen and the secret to her longevity:
Michael Martin: You've modelled basically since infancy. What's your first memory of being in front of a camera?
Brooke Shields: I'm not sure if it's because the story has been told to me so many times, but I have semblances of memory from my first shoot. I remember the environment at Scavullo's studio. I was 11 months old, but I remember it was the first time I was in a room where I was part of the lights instead of with the people around them.
Brooke, photographed by Francesco Scavullo as a child.
MM: Working with the Scavullos, Avedons, Warhols of the world - how do you look back on that now?
BS: Only now do I look back on them as iconic. But when I remember my perspective at the time, these people were people I knew intimately, so I don't think I looked at them the same way I do now, artistically. To be on the cover of Interview was to spend time with people I saw every day. I had respect out of love, and now I have respect for their careers.
MM: What do you remember about Avedon at work?
BS: I remember the separation between on set and off set was like this iron curtain. Once you went in there you were in a sanctuary. And people just jumped. I'm sure his assistants got scared and people cried, but I thought it was funny. I remember that I managed to get away with getting the Polaroids. He thought nothing about giving them to me. Anyone else couldn't get them. I think, in hindsight, he respected my professionalism, and I remember wanting his approval so I worked harder.
MM: Why were you so professional so young?
BS: There was no room for me to have any tantrums. Everyone else was such a larger-than-life personality: The Polly Mellens of the world; the photographers were the stars. And my mom was sort of the crazy one. I was so young that I wanted to be accepted and liked. As a child, that worked for me. I'm sure that caused years and years of therapy later, but that's another story. Something about being born and bred in New York, where people have to be at the top of their game to succeed, instilled that professionalism in my by osmosis.
MM: You're the youngest person to be on the cover of Vogue. What did that do to your head at the time?
BS: Absolutely nothing, because I had no perspective on it. I still had to take off all the clothes, take off all the makeup, give it back, and go do my homework. It didn't behoove me to carry that title to school, because it wouldn't make kids want to be friends with me. Now I'm much more impressed with that title. Then I don't even think I knew it. The crowning glory for me was getting a Seventeen cover. The first cover try I did, I didn't get it. I was told I looked too old.
MM: When you were a kid, did you think you'd still be in the business now?
BS: I've never known anything but the business. it never occurred to me not to be in the business. It's sort as if I was never not naked.
MM: Were you aware of the controversy swirling around Pretty Baby and the Calvin Klein ads at the time you did them?
BS: If you separate the actual making of the movie with Louis Malle and the actual filming of the commercials with Dick and Calvin, those actual moments felt creatively important. But the reaction to them was always a shock. The reaction never seemed proportionate to what we set out to do. The controversy was frustrating because it took away from the beauty and the creativity of it, particularly Pretty Baby. I thought it was a shame.
MM: And then there were the Calvin Klein commercials.
BS: People were obsessed with that one line in one commercial. Which they misquoted - repeatedly. That was shocking to me. We were walking walking around the stages, feeling like we were doing something new that had never been done before. But it seemed that no matter what I did after that, controversy would follow.
Richard Avedon photographed Brooke for the July 1978 American Vogue (Farrah Fawcett was on the cover). At the time, Brooke was promoting Louis Malle's"Pretty Baby". She was 13 years old.
Calvin Klein Jeans Fall 2008, ph: Steven Meisel, stylist: Karl Templer - Toni Garrn & Viktoriya
Steven Meisel photographed Viktoriya and Toni Garrn for Calvin Klein Jeans on April 7th & 8th at Pier 59 Studios, Studio #5. Stylist: Karl Templer, Art Director: Fabien Baron.
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