Models: Katrin Thormann , Toni Garrn
Photography: Peter Lindbergh
Stylist: Christiane Arp
Hair: Valentin
Make-up: Jose Sanchez
Showing posts with label Christiane Arp. Show all posts
Showing posts with label Christiane Arp. Show all posts
German Vogue June 2012 | Katrin Thormann & Toni Garnn by Peter Lindbergh
Vogue Germany June 2012 editorial
Models: Katrin Thormann , Toni Garrn
Photography: Peter Lindbergh
Stylist: Christiane Arp
Hair: Valentin
Make-up: Jose Sanchez
Models: Katrin Thormann , Toni Garrn
Photography: Peter Lindbergh
Stylist: Christiane Arp
Hair: Valentin
Make-up: Jose Sanchez
April 2012 German Vogue cover preview: Iris Strubegger, ph: Peter Lindbergh, stylist: Florentine Pabst
April 2012 German Vogue Cover
Model: Iris Strubegger/WOMEN
Photographer: Peter Lindbergh
Stylist: Florentine Pabst
Makeup: Emmanuel Sammartino
Hair: Armin Morbach
Model: Iris Strubegger/WOMEN
Photographer: Peter Lindbergh
Stylist: Florentine Pabst
Makeup: Emmanuel Sammartino
Hair: Armin Morbach
Vogue Germany March 2012 | Lais by Alexi Lubomirski
Vogue Germany March 2012
Model: Lais Ribeiro
Photographer: Alexi Lubomirski
Stylist: Christiane Arp
Hair: Miki
Makeup: Tyron Machhausen
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Model: Lais Ribeiro
Photographer: Alexi Lubomirski
Stylist: Christiane Arp
Hair: Miki
Makeup: Tyron Machhausen
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March 2012 German Vogue cover: Lais Ribeiro, ph: Alexi Lubomirski, stylist: Christiane Arp
March 2012 German Vogue Cover
Model: Lais Ribeiro
Photographer: Alexi Lubomirski
Stylist: Christiane Arp
Hair: Miki
Makeup: Tyron Machhausen
Producer: Stace Robert
Casting Director: Julia Lange
Model: Lais Ribeiro
Photographer: Alexi Lubomirski
Stylist: Christiane Arp
Hair: Miki
Makeup: Tyron Machhausen
Producer: Stace Robert
Casting Director: Julia Lange
German Vogue February 2012 | Irish by Miles Aldridge
German Vogue February 2012
Model: Iris
Photographer: Miles Aldridge
Stylist: Christian Arp
Make-up: Mary Jane Frost
Shannan Click - German Vogue
Alexi Lubomirski photographed Shannan Click for German Vogue on March 13, 2008 at Milk Studios, Studio #3. Stylist: Christiane Arp, Makeup: Christian McCulloch, Hair: Ben Skervin.
This story was inspired by The Night Porter, starring Charlotte Rampling.
In The Night Porter, Dirk Bogarde plays Maximilian Theo Aldorfer, a former Nazi SS officer, and Charlotte Rampling plays Lucia Atherton, a concentration camp survivor who has been tormented by Aldorfer. Thirteen years after World War II, Lucia meets Aldorfer again; he is now the night porter at a Vienna hotel. There, they fall back into their sadomasochistic relationship.
To hide his shame about his past, Max works obsessively as a hotel night porter where his aim is to please his guests, especially the Countess--a confidante who requires his services to get her young men as sexual partners. Many of the other guests are war criminals, who hold secret meetings in the hotel to uncover any evidence connecting them with their war crimes. Max prepares with these former Nazis a strategy for his upcoming War Trial at the hands of the Allies, as they conduct mock trials to learn about records in the archives they should destroy and witnesses to be tampered with or eliminated. Into this hotel culture, which reeks of nostalgia for the Führer, comes the only live witness who can testify against him--the young Viennese camp inmate who is now married to an American opera conductor. She is someone he sexually abused in the camp and Max can't stop obsessing over their past torturous relationship. They are drawn uncontrollably to each other despite the dark past both of them share and the apparent danger from Max's unchanged fanatical and bloodthirsty Nazi comrades, Klaus and Hans.
In The Night Porter, Dirk Bogarde plays Maximilian Theo Aldorfer, a former Nazi SS officer, and Charlotte Rampling plays Lucia Atherton, a concentration camp survivor who has been tormented by Aldorfer. Thirteen years after World War II, Lucia meets Aldorfer again; he is now the night porter at a Vienna hotel. There, they fall back into their sadomasochistic relationship.
To hide his shame about his past, Max works obsessively as a hotel night porter where his aim is to please his guests, especially the Countess--a confidante who requires his services to get her young men as sexual partners. Many of the other guests are war criminals, who hold secret meetings in the hotel to uncover any evidence connecting them with their war crimes. Max prepares with these former Nazis a strategy for his upcoming War Trial at the hands of the Allies, as they conduct mock trials to learn about records in the archives they should destroy and witnesses to be tampered with or eliminated. Into this hotel culture, which reeks of nostalgia for the Führer, comes the only live witness who can testify against him--the young Viennese camp inmate who is now married to an American opera conductor. She is someone he sexually abused in the camp and Max can't stop obsessing over their past torturous relationship. They are drawn uncontrollably to each other despite the dark past both of them share and the apparent danger from Max's unchanged fanatical and bloodthirsty Nazi comrades, Klaus and Hans.
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